ARTIST SPOTLIGHT: Colin Raff (zbags)
What GIF best describes how you are currently feeling?
Why, this one, since it will apply regardless of whether I am sluggish or perky when this answer is posted.
When did you first start making GIFs? What was your first GIF?
The file creation date for this GIF is April 2008. I remember some graphics-savvy people showing me the animation capabilities of Photoshop. I made this to get the hang of doing a sequence by myself and saved it as a GIF because the format seemed practical. I put it up on my then-current website and didn’t think more about GIFs for a while.
In 2010 I started making more GIFs in preparation for a much-increased and strategic internet presence. I didn’t know about other GIF art at the time, but I’d seen the format in wide usage for memes and other crap. I thought of posting them as an effective segue into making little films. This turned into a long-ass segue due to the boom in GIF art that happened shortly after.
Where do you find inspiration?
Most of my work from the past several years is informed by a private mythology that I created as a way of giving some cohesion to the endless gushing of ideas. This helps me in many ways. In the Euxinova project, it consolidates into artificial histories involving fictional Balkan and Southeast Asian nations with their own cultures, ecosystems, animals, plants, tourist industries, etc.
But even the minor nuggets (y’know, random grotesque GIFs) are served by emanations from the grand scheme that modify raw concepts with secret archetypes and tropes and so help ratchet up the tangy flavor.
GIF above from Euxinova Project
What kind of a process do you go through to create your GIFs?
It’s a subset of the process used to make the images, which I developed on my own (no training). Everything is a photo-collage with distinct 20th c. antecedents (Heartfield, Ernst, Höch, etc.) — except that it’s digital, and the ability to control and synthesize each tiny element has greatly changed the possibilities for the medium. Collage no longer has to rely on bald juxtaposition. You might notice that I don’t just take a source picture or two and alter them in an obvious way. The new ideal (speaking just for myself) is that the source material be unrecognizable in the end product. So the object, now, is not to deconstruct extant images, but to build entirely new ones. That’s why, when I do go in reverse and deconstruct what I’ve made to lay bare the process (like GIF below), the result can be kind of fun.
Digitally stored groups of layers in the form of characters, furniture, backdrops, etc. can be reconfigured for different purposes, and obviously this points to animation. The collage procedure does impose severe limitations in terms of movement (an object seen from a new angle, such as a tilt of a head, must be an entirely new built image, assuming that is possible), but I don’t mind. Also, I prefer the step-frame animation method I employ to some smooth CGI process: the flickering and unnatural movement is actually more pleasing to me. Cut-out animation invokes the economy of insects.
Even limited to moving images, the list could go on too long for someone not in the mood for lists, and I can’t seem to summon that mood. Luis Buñuel is supreme to me: a prolonged absence of his brand of dry irony leads to unpleasant sensations in my viscera. As animators go, Władysław Starewicz is the one I’ve paid the most attention to.
I’ve befriended some fellow GIF artists and had fun collaborating with Dain Fagerholm. But as a GIF editor for Tumblr (still!) I should probably be impartial regarding the living.
What is your favorite GIF?
Currently it’s this piece I made for The Creator’s Project last summer:
Audience faves include:
What’s next? Any fun projects you are currently working on and can share with us?
1.) My joyous association with Frederator Studios continues with covers for the Adventure Time and Bravest Warriorscomic books, published by Boom! Studios in coming months — I believe the Bravest Warriors issue comes out first.
2.) I’m opening a web store (Big Cartel) initially selling various printed art in limited quantities.
3.) Short animated films. The main reason why I haven’t been focused enough on making shorts is limited computer muscle, coupled with my desire to animate in very high resolutions. The Frederator tags and similar projects were already taxing my (soon to be replaced) Mac at 1080p, but I want to make stuff in 4k. I can’t wait any longer though, so expect some very, very short actual films very soon, before I even upgrade my equipment.
Zine Collection No. 6 by Editions Bessard presents the work “Business as Usual” by Brian Griffin. It reminds me a lot of Evidence by Larry Sultan and Mike Mandel.
Photography for the “Corporate world” is where I started my career after leaving Art college, on a magazine called Management Today. Without doubt it’s one of those areas of photography that never ceases, in my opinion, to offer a rich vein of artistic opportunity. Thank you Franz Kafka for writing “The Trial”.
11 Ways to Think Outside the Box
Thinking outside the box is more than just a business cliché. It means approaching problems in new, innovative ways; conceptualizing problems differently; and understanding your position in relation to any particular situation in a way you’d never thought of before. Ironically, its a cliché that means to think of clichéd situations in ways that aren’t clichéd.
We’re told to “think outside the box” all the time, but how exactly do we do that? How do we develop the ability to confront problems in ways other than the ways we normally confront problems? How do we cultivate the ability to look at things differently from the way we typically look at things?
Thinking outside the box starts well before we’re “boxed in” – that is, well before we confront a unique situation and start forcing it into a familiar “box” that we already know how to deal with. Or at least think we know how to deal with.
Here are 11 ways to beef up your out-of-the-box thinking skills. Make an effort to push your thinking up to and beyond its limit every now and again – the talents you develop may come in handy the next time you face a situation that “everybody knows” how to solve.
You Can Have A Creative Life If You Follow These Rules
1. Study another industry.
I’ve learned as much about teaching from learning about marketing as I have from studying pedagogy – maybe more. Go to the library and pick up a trade magazine in an industry other than your own, or grab a few books from the library, and learn about how things are done in other industries. You might find that many of the problems people in other industries face are similar to the problems in your own, but that they’ve developed really quite different ways of dealing with them. Or you might well find new linkages between your own industry and the new one, linkages that might well be the basis of innovative partnerships in the future.
2. Learn about another religion.
Religions are the way that humans organize and understand their relationships not only with the supernatural or divine but with each other. Learning about how such relations are structured can teach you a lot about how people relate to each other and the world around them. Starting to see the reason in another religion can also help you develop mental flexibility – when you really look at all the different ways people comprehend the same mysteries, and the fact that they generally manage to survive regardless of what they believe, you start to see the limitations of whatever dogma or doxy you follow, a revelation that will transfer quite a bit into the non-religious parts of your life.
3. Take a class.
Learning a new topic will not only teach you a new set of facts and figures, it will teach you a new way of looking at and making sense of aspects of your everyday life or of the society or natural world you live in. This in turn will help expand both how you look at problems and the breadth of possible solutions you can come up with.
4. Read a novel in an unfamiliar genre.
Reading is one of the great mental stimulators in our society, but it’s easy to get into a rut. Try reading something you’d never have touched otherwise – if you read literary fiction, try a mystery or science fiction novel; if you read a lot of hard-boiled detective novels, try a romance; and so on. Pay attention not only to the story but to the particular problems the author has to deal with. For instance, how does the fantasy author bypass your normal skepticism about magic and pull you into their story? Try to connect those problems to problems you face in your own field. For example, how might your marketing team overcome your audiences normal reticence about a new “miracle” product?
5. Write a poem.
While most problem-solving leans heavily on our brain’s logical centers, poetry neatly bridges our more rational left-brain though processes and our more creative right-brain processes. Though it may feel foolish (and getting comfortable with feeling foolish might be another way to think outside the box), try writing a poem about the problem you’re working on. Your poem doesn’t necessarily have to propose a solution – the idea is to shift your thinking away from your brain’s logic centers and into a more creative part of the brain, where it can be mulled over in a non-rational way. Remember, nobody has to ever see your poem…
6. Draw a picture.
Drawing a picture is even more right-brained, and can help break your logical left-brain’s hold on a problem the same way a poem can. Also, visualizing a problem engages other modes of thinking that we don’t normally use, bringing you another creative boost.
7. Turn it upside down.
Turning something upside-down, whether physically by flipping a piece of paper around or metaphorically by re-imagining it can help you see patterns that wouldn’t otherwise be apparent. The brain has a bunch of pattern-making habits that often obscure other, more subtle patterns at work; changing the orientation of things can hide the more obvious patterns and make other patterns emerge. For example, you might ask what a problem would look like if the least important outcome were the most important, and how you’d then try to solve it.
8. Work backwards.
Just like turning a thing upside down, working backwards breaks the brain’s normal conception of causality. This is the key to backwards planning, for example, where you start with a goal and think back through the steps needed to reach it until you get to where you are right now.
9. Ask a child for advice.
I don’t buy into the notion that children are inherently ore creative before society “ruins” them, but I do know that children think and speak with a n ignorance of convention that is often helpful. Ask a child how they might tackle a problem, or if you don’t have a child around think about how you might reformulate a problem so that a child could understand it if one was available. Don’t run out and build a boat made out of cookies because a child told you to, though – the idea isn’t to do what the child says, necessarily, but to jog your own thinking into a more unconventional path.
10. Invite randomness.
If you’ve ever seen video of Jackson Pollock painting, you have seen a masterful painter consciously inviting randomness into his work. Pollock exercises a great deal of control over his brushes and paddles, in the service of capturing the stray drips and splashes of paint that make up his work. Embracing mistakes and incorporating them into your projects, developing strategies that allow for random input, working amid chaotic juxtapositions of sound and form – all of these can help to move beyond everyday patterns of thinking into the sublime.
11. Take a shower.
There’s some kind of weird psychic link between showering and creativity. Who knows why? Maybe it’s because your mind is on other things, maybe it’s because you’re naked, maybe it’s the warm water relaxing you – it’s a mystery. But a lot of people swear by it. So maybe when the status quo response to some circumstance just isn’t working, try taking a shower and see if something remarkable doesn’t occur to you!
Do you have strategies for thinking differently? Share your tips with us in the comments.